Posted 2020-05-12, evaluated by the judges panel
Quarantine got you down? Cabin fever? Then join Juke (Luke Williams) on a Vacation in the Mushroom Kingdom, touring several classic themes from Mario Kart: Double Dash with an agreeably mellow & laid-back tropical acoustic vibe:
Inspired by the first 'Super Mario Bros.' Game, it's the Mushroom Kingdom! Largely based on the SRB2 sprites for 'Mario Koopa Blast', this stage is an intermediate track split into four sections: Ground, Underground, Treetops (yes, those are trees), and a Castle. The Mushroom Kingdom, or World 1, is the grassy first world in Mario and the Jambastions 3: The World of Gems. It consists of six courses, a tower, a castle, and an airship. The Koopaling boss of this world is Larry Koopa, the central antagonist and penultimate boss is Goomboss, and the main antagonist and boss is Bowser.
'My remix of 'Peach Beach and Daisy Cruiser' from the best Mario Kart game, Double Dash. A GameCube classic. I was going for the beach vibes. After remaking the first half, I mixed in a little bit of 'Sherbet Land,' 'Title Theme,' 'Rainbow Road,' 'Yoshi's Island,' and finally a little bit of the 'Race Won' music at the end. Hope you can enjoy it!'
I'm pretty sure the population of avid users of the word 'chillax' has steeply declined over the last decade, but if you're one of the few, proud clingers-on, you can most certainly chillax to this. Luke blends two different mallets, with plenty of rolls on each, acoustic guitar, a flute/wind lead, Hawaiian slide guitar, beach ambience, a nice drum groove, and a generally sunny disposition to great effect, chaining Kondo's melodies into a comfortable, bright, & cheery jam. prophetik music writes:
Mario Kart Mushroom Kingdom Game
'hey, there's a lot of nuance here. i really appreciate the attention paid to the blurbs that come in and out (the slide guitar, wind chimes, etc), and to the marimba lead's variance of rolls. the countermelodies are nice and there is a ton of little things that come together to make this nice. i didn't mind the background being pretty static considering that it's short. i wouldn't have minded a bit less seabirds but that's more personal than anything.'
Rexy adds:
'There's two distinct halves here - one with a focus on a run-through with the melody, and a second with cameos moving along one after the other while going back into the primary source. Despite the autopilot nature, there' a lot of attention to articulations, realism and subtractive arranging underneath it all. And for some reason, I felt stunned to hear more of a focus on the theme from Yoshi's Story (not Yoshi's Island, as stated) throughout the break - a pleasing easter egg from a completely separate Mario spinoff, and I'm always happy to hear surprises.'
Indeed; while this is enjoyable & (dead horse) quite chill/mellow, there's a lot going on, the instrumentation has a good deal of variety, the arrangement is flexible enough to work in some additional themes without seeming meandering, and the whole package is relaxing AND engaging. Great Carribean/tropical acoustic escapism from Juke!
― djpretzel
Posted 2020-05-12, evaluated by the judges panel
Quarantine got you down? Cabin fever? Then join Juke (Luke Williams) on a Vacation in the Mushroom Kingdom, touring several classic themes from Mario Kart: Double Dash with an agreeably mellow & laid-back tropical acoustic vibe:
'My remix of 'Peach Beach and Daisy Cruiser' from the best Mario Kart game, Double Dash. A GameCube classic. I was going for the beach vibes. After remaking the first half, I mixed in a little bit of 'Sherbet Land,' 'Title Theme,' 'Rainbow Road,' 'Yoshi's Island,' and finally a little bit of the 'Race Won' music at the end. Hope you can enjoy it!'
I'm pretty sure the population of avid users of the word 'chillax' has steeply declined over the last decade, but if you're one of the few, proud clingers-on, you can most certainly chillax to this. Luke blends two different mallets, with plenty of rolls on each, acoustic guitar, a flute/wind lead, Hawaiian slide guitar, beach ambience, a nice drum groove, and a generally sunny disposition to great effect, chaining Kondo's melodies into a comfortable, bright, & cheery jam. prophetik music writes: Review quizzes examsreproductive systems.
'hey, there's a lot of nuance here. i really appreciate the attention paid to the blurbs that come in and out (the slide guitar, wind chimes, etc), and to the marimba lead's variance of rolls. the countermelodies are nice and there is a ton of little things that come together to make this nice. i didn't mind the background being pretty static considering that it's short. i wouldn't have minded a bit less seabirds but that's more personal than anything.'
Rexy adds:
'There's two distinct halves here - one with a focus on a run-through with the melody, and a second with cameos moving along one after the other while going back into the primary source. Despite the autopilot nature, there' a lot of attention to articulations, realism and subtractive arranging underneath it all. And for some reason, I felt stunned to hear more of a focus on the theme from Yoshi's Story (not Yoshi's Island, as stated) throughout the break - a pleasing easter egg from a completely separate Mario spinoff, and I'm always happy to hear surprises.'
Mario Kart Mushroom Kingdom Wii
Posted 2020-05-12, evaluated by the judges panel
Quarantine got you down? Cabin fever? Then join Juke (Luke Williams) on a Vacation in the Mushroom Kingdom, touring several classic themes from Mario Kart: Double Dash with an agreeably mellow & laid-back tropical acoustic vibe:
Inspired by the first 'Super Mario Bros.' Game, it's the Mushroom Kingdom! Largely based on the SRB2 sprites for 'Mario Koopa Blast', this stage is an intermediate track split into four sections: Ground, Underground, Treetops (yes, those are trees), and a Castle. The Mushroom Kingdom, or World 1, is the grassy first world in Mario and the Jambastions 3: The World of Gems. It consists of six courses, a tower, a castle, and an airship. The Koopaling boss of this world is Larry Koopa, the central antagonist and penultimate boss is Goomboss, and the main antagonist and boss is Bowser.
'My remix of 'Peach Beach and Daisy Cruiser' from the best Mario Kart game, Double Dash. A GameCube classic. I was going for the beach vibes. After remaking the first half, I mixed in a little bit of 'Sherbet Land,' 'Title Theme,' 'Rainbow Road,' 'Yoshi's Island,' and finally a little bit of the 'Race Won' music at the end. Hope you can enjoy it!'
I'm pretty sure the population of avid users of the word 'chillax' has steeply declined over the last decade, but if you're one of the few, proud clingers-on, you can most certainly chillax to this. Luke blends two different mallets, with plenty of rolls on each, acoustic guitar, a flute/wind lead, Hawaiian slide guitar, beach ambience, a nice drum groove, and a generally sunny disposition to great effect, chaining Kondo's melodies into a comfortable, bright, & cheery jam. prophetik music writes:
Mario Kart Mushroom Kingdom Game
'hey, there's a lot of nuance here. i really appreciate the attention paid to the blurbs that come in and out (the slide guitar, wind chimes, etc), and to the marimba lead's variance of rolls. the countermelodies are nice and there is a ton of little things that come together to make this nice. i didn't mind the background being pretty static considering that it's short. i wouldn't have minded a bit less seabirds but that's more personal than anything.'
Rexy adds:
'There's two distinct halves here - one with a focus on a run-through with the melody, and a second with cameos moving along one after the other while going back into the primary source. Despite the autopilot nature, there' a lot of attention to articulations, realism and subtractive arranging underneath it all. And for some reason, I felt stunned to hear more of a focus on the theme from Yoshi's Story (not Yoshi's Island, as stated) throughout the break - a pleasing easter egg from a completely separate Mario spinoff, and I'm always happy to hear surprises.'
Indeed; while this is enjoyable & (dead horse) quite chill/mellow, there's a lot going on, the instrumentation has a good deal of variety, the arrangement is flexible enough to work in some additional themes without seeming meandering, and the whole package is relaxing AND engaging. Great Carribean/tropical acoustic escapism from Juke!
― djpretzel
Posted 2020-05-12, evaluated by the judges panel
Quarantine got you down? Cabin fever? Then join Juke (Luke Williams) on a Vacation in the Mushroom Kingdom, touring several classic themes from Mario Kart: Double Dash with an agreeably mellow & laid-back tropical acoustic vibe:
'My remix of 'Peach Beach and Daisy Cruiser' from the best Mario Kart game, Double Dash. A GameCube classic. I was going for the beach vibes. After remaking the first half, I mixed in a little bit of 'Sherbet Land,' 'Title Theme,' 'Rainbow Road,' 'Yoshi's Island,' and finally a little bit of the 'Race Won' music at the end. Hope you can enjoy it!'
I'm pretty sure the population of avid users of the word 'chillax' has steeply declined over the last decade, but if you're one of the few, proud clingers-on, you can most certainly chillax to this. Luke blends two different mallets, with plenty of rolls on each, acoustic guitar, a flute/wind lead, Hawaiian slide guitar, beach ambience, a nice drum groove, and a generally sunny disposition to great effect, chaining Kondo's melodies into a comfortable, bright, & cheery jam. prophetik music writes: Review quizzes examsreproductive systems.
'hey, there's a lot of nuance here. i really appreciate the attention paid to the blurbs that come in and out (the slide guitar, wind chimes, etc), and to the marimba lead's variance of rolls. the countermelodies are nice and there is a ton of little things that come together to make this nice. i didn't mind the background being pretty static considering that it's short. i wouldn't have minded a bit less seabirds but that's more personal than anything.'
Rexy adds:
'There's two distinct halves here - one with a focus on a run-through with the melody, and a second with cameos moving along one after the other while going back into the primary source. Despite the autopilot nature, there' a lot of attention to articulations, realism and subtractive arranging underneath it all. And for some reason, I felt stunned to hear more of a focus on the theme from Yoshi's Story (not Yoshi's Island, as stated) throughout the break - a pleasing easter egg from a completely separate Mario spinoff, and I'm always happy to hear surprises.'
Mario Kart Mushroom Kingdom Wii
Indeed; while this is enjoyable & (dead horse) quite chill/mellow, there's a lot going on, the instrumentation has a good deal of variety, the arrangement is flexible enough to work in some additional themes without seeming meandering, and the whole package is relaxing AND engaging. Great Carribean/tropical acoustic escapism from Juke!
― djpretzel
